Witness by simply Peter Weir Notes Essay

NOTES ON MODULE W, WITNESS BY PETER WEIR, 1985

Advantages:

* Participate in a detailed research of a textual content

5. Understanding of how a ideas, varieties and vocabulary of a text interact in the text and may even affect individuals responding to it. * Students will need an understanding of film techniques and of the police crisis genre. Significant aspects to be aware of:

* Visible techniquesenhance knowledge of characters

* Editing and enhancing techniquescreate incertidumbre, establish character types, create ambiance, position visitors to respond within a particular way * Narrative structureplot points and events of story telling 5. Mise en scene elementsconvey directors purpose

* Themestolerance; very good and wicked; isolation; nature of love; turmoil; traditionalism; identity; tradition; reality & presence; violence & nonviolence, rights, freedom & commitment. Camera angles:

* High anglestaken previously mentioned to make a personality look small , lost, inferior * Low anglestaken from underneath the figure looking up to them to make sure they are look impacting, superior or perhaps threatening 5. Point of view shotA shot created from the camera position near to the line of view of one with the characters, implying that we are seeing what he sees. 2. Two-shotA taken of a couple together- suggests unity, and is contrasted with the shot/reverse taken method 5. Shot change shotreporting a conversation or argument by cutting from one person to a new and again again-shows issue increasing dramatic tension. * To a film maker or director, picking out images and where the camera is placed, in many cases are more important than the words the characters claim, in expressing meaning. 2. The filmmaker must change his material, in this case pictures and appears. * A filmmaker can choose to film his field from distinct angles, extended range shot or perhaps in close up etc ., and they can express different symbolism to an target audience. * Long shot means the camera is a long way from the shot subject. These often offer an audience a general impression of your landscape or perhaps scene and therefore are often used in the beginning and end of a film. * Close-up means that something happens to be filmed really close, usually a confront or a subject. E. g. When Samuel is in the law enforcement officials office, he goes up towards the cabinet where trophies happen to be, and there is a newspaper article. The camera moves to an in depth up, made up of little or no qualifications, and enables the movie director to show emotions and reactions Editing:

* Mise en scenea ‘realistic' strategy whereby that means is conveyed through the marriage of things visible within a single taken (rather than, as with a montage, the relationship between shots). An attempt was created to preserve space and period as much as possible; croping and editing or fragmenting of moments is minimized. It relies particularly in lighting, stage sets, costumes, movement and body gestures. * Montagethe process of slicing film up and croping and editing it in to the screened series. * Editing and enhancing is an important section of the film making process, as the editor, within the guidance with the director, must decide on the right way to join the pieces of film together, whether to use close ups or long shots in particular sequences. * He or she must also decide how long every shot must remain on the screen, affecting the operating time of the film. 2. Increased Cutting rate – Barn grooving scene:

It is employed as Eli's voice destroys Book and Rachel's romantic moment, and he echoes in German born to convey that what is happening is very inappropriate Because Rachel strolls back to the property, the improved cutting level emphasises Eli's fear that Rachel's patterns may show that she will be ‘shunned', based on the ‘Ordnung'. 5. E. g. the ‘Pay Off' landscape:

The camera prevents on Rachel's bowed mind while your woman contemplates her next move. She becomes down the light fixture and locations her cap on the table, as a symbol of her short-term rejection of her Amish values. * Weir utilizes a back profile shot, limited dialogue, a detailed up, and...



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